John Ashbery’s essays on “eccentric spaces”—calling on Robert Harbison’s term for strangely, even mysteriously iconic homes—are essential reading, especially when considered against the backdrop of his thinking about his own house. Here are three House & Garden pieces and one Architectural Digest essay composed during the decade when Ashbery completed the majority of his Hudson house restoration and decoration projects.
April, 1992 | Ashbery chronicles the family and architectural histories of the handsome Rusconi, Forth and Rokeby homes in the upper Hudson valley. These well-known (and lesser known) estates are grander, more established versions of the Hudson House.
June, 1997 | Ashbery describes the “design and construction” of Olana, the Hudson Valley estate of nineteenth-century painter, Frederic Church, as “the culminating creative act of Church’s career.” Ashbery writes the essay in the late 1990s, during a period when he is living in the Hudson house much more and reflecting on the relationship between an artist and his house.